Now, we must also take into consideration how the transfer benefits from the HDR/WCG upgrade, which complicates matters since not all movies are produced in native 4K or mastered with 4K digital intermediates (DI). It is still a significant improvement and will be a better viewing experience, but with this new format, we are looking for more than just sharpness and resolution. Essentially, what would normally qualify as 5-star presentation in standard Blu-ray could hypothetically be thought of as a 3-star video on UDH BD. Still, my colleagues and I have come to the general consensus that we should hold the UDH format to a higher standard and be much more conservative with our video scores. Worth noting is that this particular display automatically switches to a setting called "HDR Video" when such content is detected, but I leave the color space in “Auto” and only switch between in Rec.709 and BT.2020 to determine the transfer’s color grade.
#Mad max fury full#
Achieving 98% of the DCI-P3 color gamut, the picture quality is astounding when the Full Array Local Dimming (FALD) feature is activated. With that in mind, I did the best I could in calibrating my Sony Bravia XBR75X940C which is connected to the Samsung UBD-K8500 Ultra HD Blu-ray player. There is also the fact that calibrating displays for enjoying the best picture quality possible is somewhat tricky since material in HDR10/WCG is not readily available.
Boasting 2160p resolution at 128Mbps with the very best lossless audio, such as Dolby Atmos and DTS:X, UHD Blu-ray is finally here! But it’s important to keep in mind that this is still a brand new format, and for the moment, the content is fairly limited.
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